Kane Brown – Used to Love You Sober

POP Senza categoria Video Vocal

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Kane Brown – Used to Love You Sober

“Used To Love You Sober”

Life was great,
Wouldn’t change a thing,
I had it all but with you I had more,
But out of nowhere out of the blue,
Our love turned into a war
Now you’re gone, you moved on
And I hate the way I’m feeling.

Now the only way I know that I can get you off my mind,
To keep a bottle so close, try to leave it all behind.
And I couldn’t get enough
Girl, I’m drowning drunk in love
I used to think you’d never say it’s over, I used to love you sober
I used to love you sober

I’m on the floor cursing at the door
Broken hearted with a pounding head
And I know I got to let you go
So the liquor helps me forget,
Your name, Your face
This pain I can’t erase

Now the only way I know that I can get you off my mind,
To keep a bottle so close, try to leave it all behind.
And I couldn’t get enough
Girl, I’m drowning drunk in love
I used to think you’d never say it’s over, I used to love you sober
I used to love you sober

Now you’re gone, You moved on
And I hate the way I’m feeling
Now the only way I know that I can get you off my mind,
To keep a bottle so close, try to leave it all behind.
And I couldn’t get enough
Girl, I’m drowning drunk in love
I used to think you’d never say it’s over, I used to love you sober
I used to love you sober

Kane Brown

Ariana Grande – Dangerous Woman

POP Senza categoria Video Vocal

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Ariana Grande – Dangerous Woman

Dangerous Woman

Oh yea’
Don’t need permission
Made my decision to test my limits
Cause it’s my business, God as my witness
Start what I finished
Don’t need no hold up
Taking control of this kind of moment
I’m locked and loaded
Completely focused, my mind is openAll that you got, skin to skin, oh my God
Don’t ya stop, boy

Somethin’ ’bout you makes me feel like a dangerous woman
Somethin’ ’bout, somethin’ ’bout, somethin’ ’bout you
Makes me wanna do things that I shouldn’t
Somethin’ ’bout, somethin’ ’bout, somethin’ ’bout

Nothing to prove and I’m bulletproof and
Know what I’m doing
The way we’re movin’ like introducing
Us to a new thing
I wanna savor, save it for later
The taste of flavor, cause I’m a taker
Cause I’m a giver, it’s only nature
I live for danger

All that you got, skin to skin, oh my God
Don’t ya stop, boy

Somethin’ ’bout you makes me feel like a dangerous woman
Somethin’ ’bout, somethin’ ’bout, somethin’ ’bout you
Makes me wanna do things that I shouldn’t
Somethin’ ’bout, somethin’ ’bout, somethin’ ’bout you

All girls wanna be like that
Bad girls underneath, like that
You know how I’m feeling inside
Somethin’ ’bout, somethin’ ’bout
All girls wanna be like that
Bad girls underneath, like that
You know how I’m feeling inside
Somethin’ ’bout, somethin’ ’bout

Somethin’ ’bout you makes me feel like a dangerous woman
Somethin’ ’bout, somethin’ ’bout, somethin’ ’bout you
Makes me wanna do things that I shouldn’t
Somethin’ ’bout, somethin’ ’bout, somethin’ ’bout you

All girls wanna be like that
Bad girls underneath like that
You know how I’m feeling inside
Somethin’ ’bout, somethin’ ’bout
All girls wanna be like that
Bad girls underneath like that
You know how I’m feeling inside
Somethin’ ’bout, somethin’ ’bout

Yeah, there’s somethin’ ’bout you boy
Yeah, there’s somethin’ ’bout you boy
Yeah, there’s somethin’ ’bout you boy
(Somethin’ ’bout, somethin’ ’bout, somethin’ ’bout you)
Yeah, there’s somethin’ ’bout you boy
Yeah, there’s somethin’ ’bout you boy
Yeah, there’s somethin’ ’bout you boy
(Somethin’ ’bout, somethin’ ’bout, somethin’ ’bout you)

 

ariana-grande-dangerous-woman

Roomful Of Teeth: NPR Music Tiny Desk Concert

ACOUSTIC Experimental Senza categoria Vocal

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Roomful Of Teeth: NPR Music Tiny Desk Concert

Mix a bit of yodeling with Tuvan throat singing, add in a pinch of Sardinian cantu a tenore, fold in compositions from cutting-edge composers and you have the vocal group Roomful of Teeth. This eight-voice ensemble, which includes the 2013 Pulitzer Prize-winning composer Caroline Shaw, is gleefully dismantling the traditional definition of ensemble singing right before our ears (and teeth!).

Musical descendants of the innovative extended vocal techniques of Meredith Monk, the Teeth tend to make sounds — some sweet, others alarming — that you probably haven’t heard from a group of humans.

In Australian composer Wally Gunn’s “The Fence is Gone,” verses emerge from an infrastructure of “oh-ha” syllables and a simple drum pulse, ending with women’s voices, tight in harmony, like a chord from a Casio keyboard. In Rinde Eckert’s “Cesca’s View,” imagine a lonely cowgirl on some windswept plain. Estelí Gomez gets her yodel on, beautifully, while the three other women vocalize in close, barbershop-style harmony. It literally ends on a high note.

To finish, Teeth founder and director Brad Wells contributes “Otherwise.” Warm, rounded tones in male voices contrast with a steely sheen from the women and a high drone like a Tibetan singing bowl. The harmonies take a tangy, almost Bulgarian turn, then we get something truly otherworldly. A pulsing, slightly creepy Sardinian “bim-bom” vocalise buzzes like a gigantic cicada. Dashon Burton’s operatic baritone soars above it all. The agility of the voices and multicolored blend they achieve are extraordinary.

As the applause faded away, one of the Teeth said, “Thanks for letting us yell at you.” No, I think it’s we who are grateful — and perhaps a little stunned. –TOM HUIZENGA

Set List
Wally Gunn: “The Fence Is Gone” 0:00
Rinde Eckert: “Cesca’s View” 4:30
Brad Wells: “Otherwise” 8:22

Credits
Producers: Bob Boilen, Tom Huizenga, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Maggie Starbard, Susan Hale Thomas; Assistant Producer: Susannah Whittle

Render (The New Album)

by Roomful of Teeth

Render

Demetrio Stratos – 70th birthday

Experimental Senza categoria Video Vocal

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Demetrio Stratos – 70th anniversary

Once upon a time there was an “international popular group” called Area, and there was a man: Demetrio Stratos, lyricist, multi-instrumentalist, music researcher, frontman and singer of this band…

“He studied ethnomusicology, vocal extensions, Asian music chant, compared musicology, the problem of ethnic vocality, psychoanalysis, the relationship between spoken language and the psyche, the limits of the spoken language. He was able to reach 7,000 Hz, and to perform diplophony, triplophony, and also quadrophony. Daniel Charles has described him as the person who decimated monody by the demultiplication of the acoustic spectrum. His vocal abilities were explored and documented.  His study of the voice used as a musical instrument carried him to reach for the limits of human capabilities. The amazing research of Stratos brings many suggestions of unexplored fields of research that are still to be studied.(en.wikipedia).

Demetrio was born in April, 22nd 1945. He died in New York in June, 13th 1979… Today he would have turned seventy years… Happy birthday Demetrio

 

Anna-Maria Hefele / Obertongesang

Experimental Senza categoria Video Vocal

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Anna-Maria Hefele / Obertongesang

Anna-Maria Hefele is an overtone singer and voice artist. She plays nyckelharpa, harp & other instruments.

In 2014 she graduated as Bachelor of Arts in Elemental Music & Dance Education with classical singing as her main subject from the Carl Orff Institute, Mozarteum University Salzburg

She started with overtone singing in 2005 and has written compositions for polyphonic solo voice since 2006. In 2006 she started building music instruments for her own use e.g. didgeridoo, wooden alpine flute (mit 6 holes), occarina, Bohemian folk harp.

Anna-Maria is a soloist as an overtone singer in different ensembles, such as “Supersonus – the European resonance ensemble” and “Orchester der Kulturen” in Stuttgart, conducted by Adrian Werum.

In 2013 she was a musician in Yvonne Pouget’s dance theatre “Die Füße und Ohren der Engel- Leben mit Ersatzteilen” and in 2014 she is also part of her ensemble in the current dance theatre production “La Cattedrale Nel Vento”.

From 2010 to 2012 she was a singer, composer and vocal artist at the Nationaltheater Mannheim for the contemporary ballet “the garden of other” by the Canadian choreographer Dominique Dumais.

She sings in different high quality choirs such as the Deutscher Jugendkammerchor (Robert Göstl), Europäischer Obertonchor (Wolgang Saus, Steffen Schreyer), Obertonchor München (Matthias Privler)

She’s also quite enthusiastic about old, traditional Bavarian folk-music and yodelling, and also plays traditional music for dancing with the Bavarian folk-music group “Garchinger Pfeiffer”. As she is also a teacher and gives workshops in overtone singing, yodelling and vocal improvisation.

Originally Anna-Maria Hefele was a maker of display models and studied at “Deutsches Museum München” from 2005-2009, where she graduated as the best of her year in Germany.

So she also likes working in a workshop even if she’s now more interested in building special music instruments for her own use. Her parents are both music instrument builders.

Anna Maria Hefele
Anna-Maria Hefele / Obertongesang

The Voca People

Experimental Senza categoria Vocal

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The Voca People

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